Why do you write flash? What makes it different for you?
It could have something to do with my insatiable need for immediate gratification, or my deeply-challenged attention span. But I think I fall into the genre naturally from years of writing television scripts where most of the scenes are pretty short. You get in, get out, and leave the audience wanting more so they don’t reach for the remote. I write primarily micro. Most of my stories are between 100 and 200 words. If I can do it in less than that, I’m all that much happier. Crafting them is much like the art of bonsai. Never met a story I didn’t want to prune.
What’s your writerly lifejacket: character or plot?
Character. Character. Character. I would argue that plot is always a function of character and rarely the other way around with the exception of mysteries. Or Tom Cruise movies.
Writing style: Quick and messy or slow and precise?
First draft messy. Just get something down on paper and hope for the appearance of that golden first sentence that launches me off and running. Each November, Nancy Stohlman hosts “Flash Nano-30 Stories in 30 Days” on Facebook with a new prompt each day. Last year I made the commitment to myself to write something every damn day without judgment as to its merit. I wrote some real stinkers, but I also wrote several stories that, with some later revision, got published. My latest piece in MoonPark Review, “Tender Cuts,” originated from that challenge. https://moonparkreview.com/issue-one-fall-2017/tender-cuts/
What element or part of your “real life” do you think most influences your writing?
Definitely reading. Some of the best writing advice I’ve seen came from Jennifer Egan: “Read at the level that you want to write.” This is especially true for me because I learn primarily through osmosis. Whatever I’m exposed to through reading I absorb pretty much unconsciously and I will quickly see elements of it turning up in my work. So I have to be careful about what I choose to read and I make an effort to pick authors who are “above my grade level.”
If you could recommend one flash story or writer, who/what would it be?
This is a hard one. There is so much extraordinary flash being written today. But I would have to say the work of Len Kuntz never fails to send me to the floor. Every piece of his takes the reader on an emotional journey. He never resorts to being clever. There’s truth in each meticulously chosen word.
What story of yours do you wish got more recognition?
“Best Laid Plans,” published this past August by Degenerate Lit. It was pretty experimental for me. Originally, I wrote it in all dialogue with no tags. Then I went back and added just snippets of exposition. I’m not sure why it didn’t resonate more with readers but, unlike my friend Len Kuntz, I don’t always knock everything out of the park.
Bio: Jayne Martin is the 2016 winner of Vestal Review’s VERA award for flash fiction. Her work has appeared in Boston Literary Magazine, Literary Orphans, Five-2-One, Midwestern Gothic, Shotgun Honey, MoonPark Review, Blink-Ink, Spelk, Cleaver, Connotation Press and Hippocampus among others. She is the author of “Suitable for Giving: A Collection of Wit with a Side of Wry,” and lives in Santa Barbara, California. Find her on Twitter @Jayne_Martin.
Jayne Martin Author Page – http://injaynesworld.blogspot.com/p/blog-page.html