Mini-Interview with Tara Isabel Zambrano

 

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Why do you write flash? What makes it different for you?

I think flash is an opportunity to capture a moment and make it bigger than life. As a writer that’s what makes it so interesting and complex to write. I started writing flash when I first joined Fictionaut and a lot of writers admired my work. I haven’t stopped since then and don’t intend to.

What’s your writerly lifejacket: character or plot?

I think both. It’s always a situation that jumpstarts the story. From that point on, the two are inseparable. I have tried to write character pieces or plot-oriented pieces and have failed miserably.

Writing style: Quick and messy or slow and precise?

Slow and precise. I keep correcting sentence structures, typos as I write. And it’s irritating to keep doing that because until then I have no idea where my story is going. Often, I end up with a completely different story than what I wanted to write. It’s frustrating and rewarding.

What element or part of your “real life” do you think most influences your writing?

All of it, my day to day work as an electrical engineer in a startup company, my hobby of flying, my role as a mother of two grown-up kids and a wife to a wonderful man who doesn’t want to read my stories because he says, “they’re a bit dark, they need to lighten up.”

If you could recommend one flash story or writer, who/what would it be?

In the past year, I’ve read some amazing stuff from Megan Giddings. I remember an excerpt of her flash piece at Black Warrior Review and I was blown away. There are several other writers that inspire me, but she’s at the top of the list.

What story of yours do you wish got more recognition?

Oh, I have been very fortunate. So far, all my work is admired. I did have a favorite piece called No longer alive or angry, for the longest time because it got rejected at least by sixty journals. Finally, it found home in Visceral Brooklyn:

http://visceralbrooklyn.com/wp-content/uploads/2017/01/vbissue3.pdf

BIO:  Tara Isabel Zambrano is an electrical engineer by profession. Her work has appeared or is forthcoming in The Minnesota Review, SmokeLong Quarterly, Vestal Review, Gargoyle, and others. She lives in Texas and likes to read three books at the same time.

 

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