Why do you write flash? What makes it different for you?
I sort of fell into flash—I was writing these brief bits of prose and then trying to string them together into braided essays or some longer work until I realized they could stand alone. That this was a thing, a form in its own right. Flash? Prose poetry? Micro-memoir? Whatever we call it, it has my heart. I love the challenge to say something resonant in so few words, to craft a sentiment that transcends its small space. I love precise language and lyricism, shifts (however slight), endings that leave you breathless, unsteady, wanting.
I love how flash demands something of the reader—to fill in the white space, to make their own meaning. To carry on where it leaves off. I feel closer to a flash writer/reader because it’s like we’re sharing the story. We’re in this together.
What’s your writerly lifejacket: character or plot?
Between those two, character, for sure. Plot terrifies me. In most of my stories, nothing actually happens. There’s infinitesimal movement, if at all. But I love people-watching, people-writing. (Over)thinking human interaction and intention.
Often I feel like there’s something else at work entirely—for better or worse, most of my flashes begin with a memory or an idea. An amorphous concept. I want to say something about how there are as many perspectives in the world as there are people. Or: I want to write about how once you love someone, you never let them go. And then I have to figure out how to get there.
So perhaps, even more than character or plot, my mainstays are: memory and idea.
Writing style: Quick and messy or slow and precise?
Can I say both? At first, it’s quick and messy. I HAVE TO GET IT DOWN. But then I obsess over every word, tinker and tweak. That aftermath—the chiseling, the attentiveness, the poring over each line—is my favorite part. It feels like a love affair.
What element or part of your “real life” do you think most influences your writing?
Past love. No doubt. I should confess: I don’t really write flash fiction. Or rarely. Nearly all my writing is nonfiction. I envy those who can weave stories out of whole cloth. I lack imagination and ooze nostalgia. Sometimes I’ll get crazy and change a minivan to a truck and think, by golly, I’ve done it! I’ve written fiction! But most of the time, it’s just true stories of people and places I’ve loved and lost.
If you could recommend one flash story or writer, who/what would it be?
That’s HARD. There are so many stunning writers out there gifting us beautiful, worthy work. I feel lucky every. day. to know them and read their words. But if I had to point to one flash piece that’s had the greatest effect on me, the one I keep coming back to, it would be Minuet by Rumaan Alam. And thanks to Meghan McClure, I just discovered “Distance,” a short essay by Judith Kitchen, and now I can’t stop reading it.
What story of yours do you wish got more recognition?
The writing of mine I love most is sitting in the submission queue at the moment, waiting for the right home. I hope to be able to share it someday.