Why do you write flash? What makes it different for you?
I like being able to “see” the entire story on one or two pages. Longer stuff stresses me out because I don’t feel like I can get my brain wrapped around all of it at once. I also like the economy of flash. It’s great to be able to focus in on the words and really concentrate on what works and what doesn’t, what sounds good, what image would work best, etc. Flash is beautiful in that way.
I also like it because I’m often drawn to dark places, but I don’t want to stay in them for too long. So I can write something really weird or really dark as a flash piece, and then be done with it and move on. But, even if it’s not dark, I just like being able to inhabit different characters, different worlds, for tiny amounts of time without having to do tons of research to make it sound real-ish. You can fake anything for a page or two.
Flash is also full of play. I like how experimental it can be. How weird you can go. There are so many different types of flash out there. It’s just fun to write.
What’s your writerly lifejacket: character or plot?
I think character. I can hang on with a character. I’m drawn to characters and their odd quirks and turns of phrases. It’s the plot that sinks me. But I’m trying to get better at that. I have to get better at that if I’m going to write novels, right?
Writing style: Quick and messy or slow and precise?
Definitely quick and messy. Like a drunk, I throw it all up on the page and then sleep it off and come back the next morning to clean it up.
What element or part of your “real life” do you think most influences your writing?
This is an interesting question. I’m honestly not sure of the answer. I tend to find inspiration in little spurts here and there—a conversation I overhear at the airport, a dream I wake from, a weird story a friend tells at the dinner table.
I definitely write more about children now that I have one. Before I had my son, I didn’t think I knew enough about kids to write them well. I probably still don’t know enough about them, but they do crop up in my stuff a lot more these days. The kids tend to be creepy, though. So I’m not sure what that says about me…
If you could recommend a few flash stories or writers, who/what would it be?
Some of my most favorite flash writers: Jeff Landon, Randall Brown, Sherrie Flick, Jen Michalski. I’ve never read a story by any of them that’s been less than fantastic.
I’m biased, but I think our Kathy Fish Fellows at SmokeLong are doing some really amazing things. Check out Beth Thomas, Stefanie Freele, Shasta Grant, Allison Pinkerton, Megan Giddings, Adam Peterson, and our 2018 fellow Tochukwu Okafor.
What story of yours do you wish got more recognition?
Well, I’m not saying this story didn’t get any recognition when it came out, because it did. But it’s been a while, and I actually forgot I’d written it until just recently, which is just kind of weird. But I’ve always been fond of “Dendrochronology,” which was published by The Northville Review. TNR isn’t publishing anymore, which is a bummer, but you can still find it online, out there in the ether, and for some reason it’s always been one of my favorite flashes I’ve written.
BIO: Tara Laskowski grew up in Northeastern Pennsylvania and now navigates traffic in the Washington, D.C. suburbs. She is the author of the short story collection Bystanders, which won the Balcones Fiction Prize and was hailed by Jennifer Egan in The Guardian as one of the best books of 2017. She is also the author of Modern Manners For Your Inner Demons, tales of dark etiquette. Her fiction has been published in the Norton anthology Flash Fiction International, Best Small Fictions, Ellery Queen’s Mystery Magazine, Alfred Hitchcock’s Mystery Magazine, Mid-American Review, and numerous other journals, magazines, and anthologies. She was awarded the Kathy Fish Fellowship from SmokeLong Quarterly in 2009 and won the grand prize for the 2010 Santa Fe Writers Project Literary Awards Series. Since 2010, she has been the editor of SmokeLong Quarterly.