Why do you write flash? What makes it different for you?
In high school and college, I was really into writing poetry. I like how poetry and flash convey an intense experience succinctly. I see flash as a well-sharpened knife that can slice to the heart of the matter quickly, or a bolt of lightning that leaves the landscape forever changed in a matter of seconds. I also love how challenging it is to tell a story in such a short space. It’s an exercise in choosing the most precise details and chipping away at the draft until it has no jagged edges.
What’s your writerly lifejacket: character or plot?
Character, definitely. For years, I was afraid to write fiction because I was afraid of plot.
Writing style: Quick and messy or slow and precise?
The first draft is always quick and messy. If I’m not ready to write something just yet, I will write [describe her living room] or [blah blah blah romantic stuff]. I’m extremely imprecise and careless in my first drafts. I think the real work starts once the raw material is on the page; that’s when I get slow and precise, and I love the process of rewriting and editing.
What element or part of your “real life” do you think most influences your writing?
I spent all my childhood summers in small towns and on our family farms in the Driftless region of Minnesota and Wisconsin, and I notice that setting creeping into my stories again and again. That, and the things I learn about the history of women; my feminism definitely influences my writing, always.
If you could recommend a few flash stories or writers, who/what would it be?
Tommy Dean, of course, and Jamaica Kincaid, Kristen Arnett, Gaynor Jones, Chloe N. Clark, Jennifer Fliss, Christopher Allen, Maureen Langloss, Kate Gehan, Barbara McVeigh…oh, this could be a really, really long list. I read a beautiful new flash at least once a day, and they’re like shots to inoculate me against all the crazy in the world.
What story of yours do you wish got more recognition?
I really like the atmosphere and repetition in my story “Her Mother,” published by Midwestern Gothic. It was so well-promoted when it came out, and it was super exciting. I still go back to it and am tempted to share it again.
Kate Finegan recently published the chapbook The Size of Texas with Penrose Press. Her work has won contests with Thresholds, Phoebe Journal, Midwestern Gothic, and The Fiddlehead, and been runner-up for The Puritan’s Thomas Morton Memorial Prize, shortlisted for the Cambridge Short Story Prize and Synaesthesia Flash Fiction Prize, and longlisted by Room. You can find her at katefinegan.ink and twitter.com/@kehfinegan.