Mini-Interview with Francine Witte

Why do you write flash? What makes it different for you?

I write flash because I adore the compression of it. I love telling bits of a story and letting the reader fill in the rest. I like this in longer work, too. Subtext has always fascinated me.

I also like to write a lot of different things. That’s why I prefer poetry and flash to longer forms. Whenever I am working on a longer story, there’s a part of me saying. I could have written five flashes by now.

What’s your writerly lifejacket: character or plot?

I’m big on character. You get the character, the plot just follows.

Writing style: Quick and messy or slow and precise?

Quick and messy, to be sure. If I don’t get a story in the first draft, I move on. Not to say, I don’t revise, but if the bones aren’t there, it’s over.

What element or part of your “real life” do you think most influences your writing?

Love gone wrong, to be sure.

If you could recommend a few flash stories or writers, who/what would it be?

Oh my, so many. Robert Scotellaro, Meg Pokrass, Leonora Desar, Pam Painter, Paul Beckman, I could go on and on.

What story of yours do you wish got more recognition?

Every so often, I write a story that I really think hits the mark, and I submit it and it takes forever to get accepted. That one.

BIO: Francine Witte is the author of four poetry chapbook, one full-length collection, and the forthcoming, Theory of Flesh from Kelsay Books. Her flash fiction has appeared in numerous journals, anthologized in the most recent New Micro (W.W. Norton) and her novella-in-flash, The Way of the Wind is forthcoming from Ad Hoc Fiction, as well as a full-length collection of flash fiction, Dressed All Wrong for This which is forthcoming from Blue Light Press. She live in New York City, USA.

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