Mini-Interview with William Gilmer

Why do you write flash? What makes it different?
There can be a sort of freedom in limits. A story that’s thousands of words long is going to have expectations about depth, character progression, detailed settings, etc. and flash doesn’t need to be bothered with all of it. When facing a short word count, you just don’t have the time to develop huge sprawling word-scapes or plots that weave the reader through a dozen twists and turns. Flash allows you to hyper focus on the idea or concept that brought you to the page in the first place. I love that can sit down and say, “I want the reader to feel this,” and fully concentrate on that one aspect. I have had a lot of ideas that wouldn’t be able to support pages of story but that work perfectly in the flash arena.
Flash forces us to distill a story down to its best, most critical, parts. It’s the difference between sipping a few fingers of bourbon and drinking a mug of beer. Ideally, you’re going to end up in the same place, one is just going to be a quicker, more intense, ride.  
What’s your writerly lifejacket: character or plot?
Wow, how can you choose? I think we all want to see interesting characters doing interesting things, but if there’s a gun to my head, I have to say characters. I can think of dozens of flash pieces that amount to little more than two characters talking. Maybe they’re two robots roaming Earth after the apocalypse, or a wife visiting her husband on his death bed, if they are characters you can feel for, can root for, then it doesn’t really matter to me what they are doing. The reverse is not usually true for me. I have seen too many great scenarios ruined by hollow or cardboard characters.

Writing style: Quick and messy or slow and precise?
 There’s no doubt that I’m a member of the turtle writer’s club. Is slow and messy an option? I tend to plot things out very carefully when the time comes to get everything on paper. I’m the kind of person that will let a story ride around in my head for weeks or even months until I think I have it all figured out. Fermentation has its benefits, as long as you can be patient.
What element or part of your “real life” do you think most influences you?
  I would be lost without music! Music, for me, is a great way to get in touch with the emotions I want to present in a piece. I’ve spent a lot of time trying to mimic, or represent, the feelings I get for certain pieces of music with words. Sometimes all it takes is a simple melody to get my head into the right “tone” for a particular story. I’ve gone so far as to listen to different music for different characters or scenes in the same piece. The right song can really help get me into the right head-space.  
If you could recommend a few flash stories or writers, who/what would it be?
My Husband is Made of Ash – By Jennifer Todhunter. While everything that Jennifer Todhunter puts out is amazing, this piece has always had a place in my heart.

For Our Light Affliction – By Stephen S. Power. I have a soft spot for crafty Satan characters, and the ending is so “Good Omens”-esque! There probably isn’t a month that goes by that this piece doesn’t pop into my head for one reason or another.

Offspring – By Brenda Anderson. This piece is pure absurdity and I love every word of it! This story taught me that you can do anything in flash, the only limits on our imaginations are the ones we put there ourselves.

 What story of yours do you wish got more recognition?
Wow, that’s a hard one. I appreciate every eye that finds its way to something I’ve written, so I’m never disappointed by any amount of recognition! Back in 2017 The Sunlight Press was gracious enough to publish a piece of mine titled “Sambuca Zen”. The story didn’t gain much traction, which I always chalked up to the fact that it was off genre for me. This was the first non-speculative piece that I had released into the world. While I’m not sure how much recognition it deserves, it will always be something that I’m very proud of.

BIO: Will Gilmer is a writer and poet living in Metro-Detroit. Over two dozen of his stories have appeared in print and online. When he’s not putting his thoughts on paper you can find him piddling in a garden, brewing beer, or practicing for he and his wife’s imaginary appearance on The Great British Bake Off. If there isn’t enough going on in your feed, follow him on Twitter @willwritethings. BIO:

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